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WELCOME! Welcome to our newest members of the North American Reciprocal Museum (NARM) Association® family! The NARM Association now has a total of 1,369 locations across North America. The latest NARM Quarterly is now available to meet each of our newest members and find virtual programming that you may want to share with your members. Summer is just around the corner and vacation planning is underway! Now is a perfect time to remind your members of the value of NARM-reciprocal benefits. Click here for NARM Quarterly Spring 2024 (joomag.com)

Dear Artists, This is a call for artists to paint utility boxes in Lexington this Spring/Summer. Open to all interested artists, in or out of Lexington. This spring, the Lexington Council for the Arts will continue its effort to transform some of the Town’s utility boxes into unique works of art. Utility boxes sit on street corners and sidewalks, holding all the equipment that keeps our town ticking. They hold traffic light controls, cable connections, electric transformers and more. Theme: As We Turn 250: Our country will soon be commemorating the United States Semiquincentennial, 250 years since our nation fought for independence. Lexington was a huge part of the events that shaped our nation’s history. There are many ways to tell this story. Consider the issues and people who lived during this revolutionary period. What are the untold stories of these people? Think beyond the Minutemen. As we move forward in time think about how liberty and freedom changed our country. How will liberty and freedom be viewed in our future? Use your imagination and create a design that helps us understand our past or shape our future. We invite interested artists who are at least 18 years old and who have painting experience to submit an original design for the theme As We Turn 250 by April 5, 2024 to be considered for this year’s jury. Artists will be compensated $500 per box. To find out more details and for a submission form, email Laurie Bogdan at laurie.bogdan@gmail.com

Submission Deadline is Friday, April 12, 2024 Humans have been responsible for degradation of our environment and destruction of so much natural habitat. This exhibit gives artists a chance to craft novel wildlife housing and provide new habitat, in an effort to give back to the natural world, while showcasing their artistic creativity. Works will be practical to conceptual and will include insect, bird, and bat houses to wintering shelters for local mammals. We will engage local wildlife organizations and will feature live animal demonstrations! Work in any media will be accepted and collaborations involving mixed media are encouraged.  Two-dimensional work, i.e. paintings, photography, and fiber-art hewing close to the theme are welcome as well, helping call attention to the myriad, abundant wildlife present in our suburban environment, although we truly hope the exhibit will produce some usable wildlife habitat. For more information on how to submit items for consideration, see the Submission Guidelines attached to this email or click here.  Please note that we ask that you pay the entry fee here before submitting images. LexArt Members can submit for free for this exhibit. To become a member of LexArt click here and receive discounts on show submission fees, classes and more! * Juried exhibit – Juror TBD Accepted Artwork: Artists will be notified of accepted works on or about April 19, 202 For more information Contact us at info@lexart.org or 781.862.9696.

BCAT TV BNEWS Feature: BHS Artists on Exhibit at LexArt (youtube.com) Burlington High School student artists have their work on display at the LexArt gallery's 28th Annual High School Art Show. The Exhibit is running now through Sunday, February 25 at the Lexington Arts and Crafts Society.

Boston Globe columnist and LexArt student Elissa Ely reflects on how she learns to see the world with new eyes while studying Chinese brush painting with one of LexArt’s most beloved instructors, Qingxiong Ma. "I, for one, want to lead life the way he does — reflectively, with a continual gaze, resiliently. If we paint and paint and paint, and look and look and look, maybe it is possible." By Elissa Ely The teacher and the open window I’m often early to the Chinese brush painting class (as if this could remedy a beginner’s incompetence) and, from the car, I see the teacher wheeling his supplies toward the school entrance. In spring and summer, sunny or wet, he stops at the door and gazes at a barrel to its right, filled with lotus flowers he donated. A plant will grow even when no one looks. But he is always looking. Read the full column here. For more information about or to enroll in Mr. Ma’s classes or our other offerings, please visit https://www.lexart.org/classes

Exhibition on view March 11 - April 28, 2024 Reception: March 15, 5-7pm, free and open to the public; RSVP requested Gallery 224 at the Ceramics Program, Office for the Arts at Harvard 224 Western Ave, Allston, Massachusetts 02134 Namhi Kim Wagner (1923-2023) was a passionate ceramic artist who enhanced the Boston arts scene with her creative energy and bold, modern expressions inspired by the rich history of Korean ceramics. Born in Korea, raised in Japan, and returning to Korea before emigrating to the United States, she taught Korean Language at Harvard University from 1964-1995, becoming the first director of its Korean Language Program. The “Namhi Kim Wagner Korean Language Prize” was established in 2022 to honor her legacy. Often teaching all day and staying up all night to perfect her craft, she connected to her origins by mastering Korean traditional ceramic techniques, most notably the slip decoration and sgraffiti of 15-16th century Buncheong ware. “In the process of experimentation, practice, and studying Korean ceramics history, I was so happy to find myself - where I came from and where I was heading. Each stamp and each incision I make on my pots feels like a step closer to these roots and my destiny.” — Namhi Kim Wagner Nancy Selvage, artist and former director of the Ceramics Program – Office for the Arts at Harvard, writes: “Among her numerous bodies of work are delicate plates with vibrant stamped patterns, swelling jars encircled with floral carving, and large bowls overflowing with big happy fish and lotuses. Dynamic tension and harmonic unity characterize the relationships between her refined forms and masterful surface decorations. In the mid 70's, most American ceramists in the Boston area knew something about Chinese and Japanese ceramics, but they knew very little about Korean ceramics. Namhi Kim Wagner changed that. For the next forty years she was very active and effective as a spokeswoman and as an entertaining teacher of Korean ceramic techniques. She gave many presentations to a variety of different audiences in major museums and studios in the Boston area. As an artist-in-residence at the Harvard Ceramics Program, she inspired the large group of students and staff with her expertise, dedication, and passion.” —Nancy Selvage Namhi Kim Wagner has exhibited internationally and her work is in the collections of the Harvard Art Museums and the Museum of Fine Arts Boston. This memorial exhibition presents a wide range of ceramics from her prolific career. Gallery 224 at the Ceramics Program, Office for the Arts at Harvard is open to the public Monday through Friday, 10am-4pm and by appointment during exhibition dates at 224 Western Ave, Allston, Massachusetts 02134. All are welcome to attend a free reception on Friday, March 15 from 5-7pm; RSVP is requested. Visit our website for updated hours and complete details. About The Ceramics Program, Office for the Arts at Harvard Known internationally for its leadership in the field, the Ceramics Program provides a creative learning environment for a dynamic mix of students and professionals from Harvard University, greater Boston and international communities. Gallery 224, the program’s exhibition space, showcases the work of emerging and established ceramic artists, academic collaborations, and the talent within our studio community. All programming in Gallery 224 is led by Ceramics Program Director Kathy King. For more information about current and upcoming exhibitions, classes and other programming at the Ceramics Program, Office for the Arts at Harvard, please visit: www.ofa.fas.harvard.edu/ceramics or call the main office at 617-495-8680. Gallery 224 | Office for the Arts at Harvard

The Umbrella Academy in Concord February 28 - March 20 For 2024, we're delighted to welcome you back to our studios and beautifully renovated galleries! The Umbrella Arts Center is home to more than 60 working artists skilled in a variety of fine and applied arts including ceramics, glass, fiber arts, jewelry making, illustration, mixed-media, painting, photography, printmaking, illustration, sculpture, woodworking, writing and more. Since the organization's founding Studio Artists have been at the heart of making this facility a community asset and wellspring of creative activity. Our annual Open Studios is an incredible opportunity to meet our artists, learn about their process, and share in celebrating their work. FEATURING Kaleidoscope: Changing as We Change exhibition in the Allie Kussin Main Gallery February 28 - March 20 New Work by Umbrella Studio Artists, inspired by the poem Kaleidoscope by fellow Studio Artist Max Payne Kaleidoscope;changing as we change;rearranging colors;dark and light;as patterns disappear then reappear in different formsin the spiral game of light;changing as we change;the patterns of our lives,our art refinedin the kaleidoscopeof time.            —Max Payne https://theumbrellaarts.org/studio-arts/open-studios

The Museum of Fine Arts in Boston From tradition to trendsetting Today, South Korea is a cultural superpower—a global trendsetter producing award-winning films like Parasite, riveting dramas like Squid Game, and chart-topping music by K-pop groups such as BTS and BLACKPINK. But behind the country’s meteoric rise to the world stage—a phenomenon known as the Korean Wave, or hallyu—is the story of remarkable resilience and innovation. Just a century ago, Korea was in search of a new national identity, following its occupation by Japan and the Korean War. Harnessing cutting-edge technology, the country has rapidly transformed its economy and international reputation. At the same time, its creative outputs are deeply rooted in its past, with many contemporary artists, filmmakers, musicians, and fashion designers paying tribute to traditional values and art forms dating back to Korea’s dynastic kingdom days. “Hallyu! The Korean Wave” features approximately 250 objects—costumes, props, photographs, videos, pop culture ephemera, and contemporary works. Among the highlights are outfits worn by different generations of K-pop idols, dresses by couture designer Park Sohee and Next in Fashion winner Minju Kim, a large-scale needlework designed by South Korean artist Kyungah Ham and made by anonymous embroiderers from North Korea, and pieces exploring the Korean American experience by Timothy Hyunsoo Lee and Julia Kwon. Additionally, the exhibition showcases objects from the MFA’s own renowned collection of Korean art, from examples of the iconic moon jar and hanbok to an elaborately decorated gilt bronze case for sutras, the sacred Buddhist texts. Join us on an immersive and multisensory journey through a fascinating history, and celebrate a vibrant creative force that bridges cultural, societal, and linguistic divides and continues to reach new heights today. https://www.mfa.org/exhibition/hallyu-the-korean-wave

Exhibition Dates: Feb 22 - Mar 22 Concord Art Carole Farnsworth Rabe I receive my inspiration from intense observation of the things around me, exploring how the human eye perceives the things around us, and how the hand and the heart work to put the image on canvas. My imagery is personal; I need some connection to my subject matter in order for me to claim it in a painting. The way light reflects on a countertop or hits the side of a chair is the spark that gets the painting started. My paintings are about the relationship between the colors, shapes, and values that are created by the color of light. It’s a wonderful feeling when the reality of the painting takes on a life of its own and exists on its own apart from the objects observed. It seems like such a simple thing, but there is something magical and transcendent about this aspect of representation that has a very strong power for me. Christiane Corcelle My art is a spontaneous and intuitive process that involves painting, collage, de-collage, scraping, sanding, and layering. I build depth and history by repeating these steps, creating a dynamic interplay between addition and subtraction. Inspired by my love of nature, the memories of my travels, and the beauty found in everyday life, each piece becomes a textured tapestry that tells a unique visual story. Viewers are invited to embark on their own interpretative journey through the layers of meaning embedded within each piece. https://concordart.org/exhibition/chasing-color-christiane-corcelle-carole-rabe/

Exhibition Dates: Feb 22 - Mar 22 Concord Art Juried by Candice Smith Corby Candice Smith Corby is an artist, professor and the Director of the Carol Calo Gallery in the Visual and Performing Arts Department at Stonehill College. Interested in connecting the poetics of contemporary image-making with historical methods and materials, she is a Massachusetts Cultural Council 2008 Fellow and 2014 Finalist in painting, received a 2013 Awesome Foundation grant, was the 2018 Fruitlands Museum Visiting Artist, and was a 2022 Massachusetts National Museum of Women Women to Watch finalist. Her 2023 exhibition with collaborating artist William Pettit, Now and Soon and Somehow Forever, at the New Bedford Whaling Museum will be re-featured at the Ellen Miller Gallery in Jan-Feb, 2024 and she will be part of the 2024 group show Artist/Curator/Curator/Artist at Suffolk University. https://concordart.org/exhibition2/members-juried-2-collage-crafts-drawing-graphics-mixed-media-photography-printmaking/

Jan 6 - Feb 4, 2024 11am-5pm Tue-Sun Opening Reception: Sat, Jan 13, 2024; 2:30 - 5 pm Doug Masury Workshop - Exploring Color: Sat, Jan 13, 1 pm Weaving & Fiber Arts OPEN STUDIO: Sat, Jan 13, 2:30-5pm Krysten Morganti Spinning Demo: Sat Jan 27, 11-12:30 pm Exploring the World of Fibers, 2024 celebrates fiber arts and fiber artists from New England and throughout the Northeast. The exhibit was juried by Jennifer Swope, David and Roberta Logie Curator of Textiles at the Museum of Fine Arts, Boston. Accepted Artists list HERE Opening Reception Photos taken by Tom Whelan

The Nature of Imperfection: Jewelry and Adornment The Nature of Imperfection: Jewelry and Adornment is a juried call for entries that embraces the concept of imperfections and inconsistencies in works of art. Makers are encouraged to submit examples offering a range of perspectives on this topic. Works that investigate aspects of the human condition, natural phenomena, and pattern disruptions, for example, merely are suggestions for a subject that has many points of entry. The subject of imperfection is a core tenet of the Society of Arts and Crafts, Boston, which was founded in 1897 to support hand craftsmanship in a rapidly industrializing world. Applicants may be inspired by the art theorist John Ruskin, who first articulated concepts of the arts and crafts movement, writing “No human face is exactly the same in its lines on each side, no leaf perfect in its lobes, no branch in its symmetry. All admit irregularity as they imply change; and to banish imperfection is to destroy expression, to check exertion, to paralyze vitality (source).” Note to artists/makers: Please do not be discouraged if your ideal materials/methods/mediums are not listed here. Our interpretation of jewelry is wide-ranging, and adornment can be almost anything that rests or is placed on the body. How you interpret that is up to you. Show us something interesting. We hope you will surprise us. Entrants will select up to two (2) categories for consideration: Metalwork: Includes jewelry made primarily from metals such as gold, silver, copper, brass, and others. Entries may range from traditional metalworking techniques to contemporary approaches. Mixed Media: Combines different materials in their jewelry creations. This category might include pieces that incorporate metals, polymer clay,  gemstones, beads, fibers, wood, or other nature-based or unconventional materials. Enamelwork: Specifically for jewelry that features the art of enameling. Upcycled or Recycled Materials: The focus is on sustainable jewelry made from recycled or upcycled materials. This category promotes eco-friendly practices and creativity in repurposing materials. Cultural/Traditional: Celebrate jewelry that draws inspiration from specific cultures or traditions. This category may include pieces that reflect the artist’s heritage or explore cultural themes. *Selected pieces will be shown in the SA+C online gallery. All selected artists will be featured on SA+C social media, on the website and in our eNewsletter (sent to 10,000+ recipients). One artist will be awarded a $1,000 grant to inspire their continued work. Plans for an in-person exhibition will be announced at a later date. Work should have been made within the last five (5) years. Dates January 15, 2023 – March 15, 2024 Jurying March 16-25, 2024 Announcements: Friday, March 29, 2024 Jurors Robert K. Liu Ph.D, Co-Editor, Ornament Magazine Bella Neyman, Co-Founder, NYC Jewelry Week Lynn Batchelder, Contemporary Jewelry Artist Entry Fee $30.00 Image RequirementsSubmit up to three (3) pieces, with a full and detail image of each piece. Photographs should be JPEG or TIFF files sized at a minimum of 4 x 6 inches and (at least) 300 dpi and will be uploaded online. Eligibility This international call is open to both emerging and established makers. Jury Process Jurors will evaluate the submissions based on creative approaches to the theme, craftsmanship, technical proficiency, aesthetics, and other considerations as determined by the jury. https://societyofcrafts.org/sac-call-for-entry-1/ www.instagram.com/societyofcrafts Hashtag Suggestions: #societyofartsandcrafts #finecraft #jewelry #jewelryart #jewelryartist #adornments #imperfection #embraceimperfection #metalwork #mixedmedia #enamwelwork #upcycledmaterials #traditionaljewelry #culturaljewelry #callforentry #callforart #makersgonnamake #makers #artist #contemporarycraft #contemporaryart #contemporaryartist #opencallforentry

The Equinox marks the movement from winter into spring and we feel this as the passage of darkness to light. Let this transition inspire you to create a work for NESA’s Fourth Annual Online Exhibition and join us on the 19th. Juror Laisun Keane is the gallerist owner of LaiSun Keane, a contemporary art gallery located in the Sowa Art District in Boston, MA. Born during the Covid19 pandemic, the gallery provides a platform for non-mainstream voices as well as a strong focus on producingonline content and new ways of art presentation and art sales through price transparency. The stable of artists who exhibit at LaiSun Keane consists of both local and international artists, and the gallery mounts eight to nine virtual and in-person exhibitions annually. Exhibition and Call Dates February 1, 2024 — Call opens February 28, 2024 — Submission Deadline March 10, 2024 — Notification email to the artists March 19, 2024 – 7pm EST— Online opening reception with 3 award winners announced Zoom Link to be posted March 1, 2024 June 1, 2024 — The People’s Choice Award posted This exhibition is an open call to NESA members and non-members. The submitted works should be inspired by the theme and title. Images must include a description of the work and how it relates to the theme in order to be accepted. In addition, each submission must include: Title, Materials, Description/statement, Price/NFS Entry Fee$20 for up to 3 images for members$45 for up to 3 images for non members. Awards There will be 4 awards of $150 each.3 will be awarded by the juror and one will be The People’s Choice Award. https://nesculptors.org/exhibit/the-equinox-passage-of-dark-to-light-nesas-fourth-annual-online-exhibition/

Two $7,000 Travel Scholarships for Women in 2024 Grantor The Women’s Travel Club (WTC) is an organization that five Boston women established in 1934 “to promote intelligent travel and exploration by women” and “to provide help to other women travelers.” Today, the WTC has nearly 80 members in the Greater Boston area. Every other year the Club awards Travel Scholarships to two women for whom travel is critical for their interests and professional goals. The Club will award two Travel Scholarships in April 2024. Each Scholarship will be $7,000. Eligibility The Club selects candidates on the basis of the compelling nature of their projects in all the arts and sciences. . There are no restrictions with regard to the destination, interests, the age of the applicant or academic background.. Recent Travel Scholars have included  a PhD candidate studying chimpanzee behavior, a ministerial candidate studying nude protests by rural Nigerian women, and an applicant studying homelessness in Vatican City. Applications There is no formal application material. Instead, each applicant should submit to the Committee Chair by email (denbien@aol.com). A one-page proposal that includes a budget and, if it is larger than $7,000, proof of additional funding. A one-page account of personal background and travel interest. Exhibits may be included. Two supporting letters, emailed directly to the Committee Chair. Finalists must appear in person for a personal interview with the Committee in March of 2024. Applications for a 2024 Travel Scholarship should be sent to the WTC Travel Scholarship Committee Chair (see below). They must be received no later than February 15, 2024. In February, the Committee will review the applications, In March of 2024, the committee will interview the finalists and soon afterward it will make its decisions. The two Scholars selected will meet WTC members at the Club’s meeting on May 15, 2024. Also, each Scholar will be required to sign an agreement to give a brief presentation about her completed project at the WTC meeting on May 15, 2024. All Women’s Travel Club records, including records of Travel Scholars, ultimately reside in the archives of the Schlesinger Library at the Radcliffe Institute for Advanced Study, Harvard University. Denise R. Bienfang, Chair, Women’s Travel Club Scholarship Committee       denbien@aol.com https://www.womenstravelclub.org/scholarships